Saturday, June 27, 2015

Happy

"Happy" comes in many flavors.


There is the "reading a letter and seeing photos of loved ones" happy. 

I'm doing a major edit on this illustration (which I showed you in the last post). I've added Mr. Mouse's wife, and embellished the 'story' quite a bit. He is still reading a letter, but now there are photos included. Mrs. Mouse is looking at one (no doubt of a Mouse grandchild or other special near-and-dear, and has her hand on her chest in that "My! how he's grown!" or "Look how beautiful she is!" or gesture.


There is also some stamp collector busy-ness going on there. You can see how I work here - layers of tissue, taped one on top of the other, with edits done, and re-done, and re-done, until its right. Lots of fiddling with the exact placement of things, overlaps, angles, etc., all to make it interesting and a good design. Its getting there, and hopefully I'll have finished art to show next time.




Then there's "YAY! Gay Marriage is finally legal all across the Land!" happy.

I did some creative editing on my striped candy colored pencil drawing to make it into a whole rainbow, in honor of the Gay Pride rainbow theme.




Below is the original drawing. I used Photoshop to duplicate a piece of it, then did a lot of flopping and reversing and erasing and fiddling to get it to look like two more candies balancing on top. Then I used the "replace color" thing in the Adjustments menu to make them blue and purple. I'm pretty happy with how it turned out. It's still all my drawing, just with some changes made.




I've made prints available in my etsy shop, in a whole bunch of sizes. 
These are some of my print layouts, all ready to go. I do layouts of the art in different sizes, all on 8.5" x 11" paper, with trim marks. Here you see the ACEO, 5" x 7", and 4" x 6" sizes all ready to print out. 






And last but not least, there's the "My art won an award!!" happy.




An Award of Excellence!! I'm so proud of my little Berry Tart.


This drawing almost didn't get finished. I did this last Summer, and wanted to enter it in the UArt Open Exhibit. The deadline was approaching, but I came down with the weirdest mystery illness that involved a lot of vertigo (where the level in your head goes wonky and you feel like you're going to tip over). I had that on and off for weeks. I'd work on this, then have a spell and have to go lie down. I finally finished the day before the deadline to submit art to the show - but because it was so close, I couldn't mail in the entry, and instead had to drive it over to the UArt store downtown and deliver it in person. I opted to drive the slower city streets route rather than the freeway, just in case. I made it there OK, and thankfully found parking right in front. There was a bit of a queue though at the counter, and while I waited my turn I felt myself start to go . . . I had a mild panic, thinking I'd topple over, but just in time it was my turn, and I handed over my entry packet to a nice man who wished me a hearty "Good luck!". And I was out the door and into the car, where I was OK again, since I was sitting. And I made it home again, slowly.

So long story short, the art did get accepted into that show (along with my Molasses Cookie, which won an award!), then came home again, where its been sitting in a closet all nice and safe until I decided to enter it in this State Fair show. There are some other really stunning entries in the colored pencil division of the show, so I was surprised and extra happy to find out mine had won a special award.

Here is the complete list of show winners, if your'e interested. 

So that's about it for me, here. Happy Summer!

Sunday, June 14, 2015

A mouse, cats and sushi

On the board ~


I love mice. This is how I think of them. So its really hard when my cats catch them and bring them in the house. I rescued one from under the lingerie chest the other day, which had been brought in sometime during the night (the mouse, not the lingerie chest ). I managed to corner him and get him in a box, then kept the cats in while I released him back into the shrubberies. I like to think he made it home to his little nest, where he recovered himself with some tea and snacks.

~ ~ ~ ~ ~ 

Speaking of bad kitties . . .
Here are the Catley Twins, Master Edmund and Miss Edwina ~




They couldn't resist goofing it up for their pictures. And they both got in trouble for it. Sent to bed without supper, the both of them.
Both have a bad habit of dropping mice and other small creatures off the roof onto the heads of unsuspecting people down below, so be careful if you ever visit Mewton Manor, and are walking around outside - be sure to look up once in a while.
These two are available as prints in the arCATecture shop.

 ~ ~ ~ ~ ~  ~ ~

I had the itch to do some dim sum and sushi drawings. These are all ACEO size - 2.5" x 3.5". 
(ACEO stands for Art Card Editions and Originals. Its a "thing". People collect these, as well as ATCs (Artist Trading Cards). The deal is, ATCs are traded, while ACEOs are sold. They are a nice way for artists to offer original art, and prints, at a more affordable price to people who might be interested in their work.)

And so ~

First up we have a Chinese Potsticker.



Then some Salmon Sushi,



And some Tuna Sushi.



I'm working on a Shrimp one too.

I could eat this stuff every day, that's how much I love it! But I know its not for everyone. So we'll see if anyone has any interest in these. I've put the originals* in the shop, matted; and also have prints available, matted or unmatted.
*The salmon sushi original has been sold.

I'm also adding some ACEO size prints for some of the other art I already have in the shop - the herb drawings, some other food, and some kids book art. Basically, if the art lends itself to be cropped into that size well enough, I'm doing an ACEO of it. It'll take me a little time to do them all, but bit by bit I'll get there.

~ ~ ~ ~ ~ ~

Its been very hot here. Over 100! I managed to get my two 'show pieces' of art delivered to their respective places the other day, in the 104 heat. One went to the State Fair Fine Art Bldg, and the other went to FedEx to be shipped. Its always hard to say good bye to your art, even if its just for a show. I hope both drawings will enjoy their adventures and have a good time being ogled by the public. I will be glad to have them home again in a couple of months!


Monday, June 01, 2015

new arCATecture works in progress

I'm playing catch-up with my arCATecture kitty drawings. Still trying to finish up the first Up & Downstairs Tabbies series, which I had meant to be done with over a month ago. Oh well. Real life and other work has a way of changing the best laid plans, doesn't it?

The two who are on the board at the moment are the Catley Twins - Edmund and Edwina.
They're both kind of brats. Both decided to stick their tongues out and cross or roll their eyes just as the picture was taken. Their parents (Lord and Lady Catley) were not amused.

Here is Edmund, about half rendered with colored pencils. He is in a traditional Edwardian juvenile sailor get-up. He will get more colored pencil and fur, then I'll do a little Photoshop magic to make some whiskers and put in the banner with his name underneath, like all the other kitties have.


Here's what he looked like on tracing paper. Scary! I had the eyes looking straight out, then over-drew them crossed, and also changed the tongue - all on the same drawing. He looks like Dracula or something (OK, just decided I need to do a Dracula kitty - note to self.) I also flopped him going the other way, so the two will be facing each other in the final art.




And here's his sister Edwina. Same thing with the eyes. I decided to make them rolling up. She has one of those ridiculous over-sized hair bows that all the girls wore back then.




So that's what happening here - cats on the board, and everywhere else.

In other news, my Berry Tart drawing has been accepted into the California State Fair's Fine Art Exhibit. So that's fun! The last time I entered this was in high school, and didn't get in (which I was so steamed about after I saw what did get in that I wrote a nasty letter to the judge - heh).


So I will have two pieces of art in shows this summer (the Fried Egg piece will be in Atlanta for CPSA). Feeling a little puffed up about that, I must admit. Have some ideas for new food pieces - but first I have to finish the kitties! Its soooo easy to get behind with these things, isn't it? Maybe I should do a post about DISCIPLINE . . .

Saturday, May 23, 2015

Drawing of a cat reading


I feel like doing pen and ink again. I've been doing colored pencils for everything for so long now, its almost like I have to give myself permission to do something else. I drew this little piece while sitting on the porch with the kitties, just hanging out. It was fun. And I didn't think about it very much.

I had some printer paper and a cheap ball point pen, and had intended to make serious lists of things I need to do/draw/figure out, etc., but instead I started drawing this couch.

I added the granny square afghan, then the pillows, then the upholstery.




Next came the lamp. I had no idea where I was going with this. I drew it hanging over the couch, then decided it needed one going the other way. Next was the table, and the stuff on it.




Then the kid,




who needed something to look at, so next came the cat.
I did the chair first, and then added the cat.



Nothing profound. Just fun. 





Sunday, May 10, 2015

Entering Art $hows

I haven't entered very many juried art shows. I was thrilled to get my Twix Mini piece into the CPSA International Exhibition 5 years ago, then didn't enter anything again until the UArt Show here last year. Not sure why exactly, just not motivated I guess, or unwilling to get on that merry-go-round, for whatever reasons. 



OK, wait, maybe I do know. Its expensive

I know its gauche to talk about money. But if you're trying to make a living as an artist, and you want to do the 'show circuit', you need to know what you're getting into.

First, there's the entry fee. That's typically $20-$35 per piece, with sometimes a discount if you enter more than one piece.
Then you have to get the piece framed (not everything needs to be framed, but I'm talking about drawings, which definitely do).
Then you have to ship the art to wherever the show is (if you get in), and arrange to have it shipped back.
That all adds up!



I was excited to have my Fried Egg on Sourdough Toast piece accepted into this year's CPSA International Exhibition. Its the only piece I entered, and the entry fee was $25. I took the art in to be framed the other day, and that will cost roughly $250 (simple but elegant natural wood frame with plexiglass, for an 11" x 17" drawing). Next I will have to ship it, and have no idea what that will cost. I will do FedEx, and will have to arrange for the return shipping as well. $100 maybe? (That might be a little high, or not. I can't remember what it cost last time.) Then there's the shipping box itself. I have a special Airfloat Systems box that I'm hoping I can use again, if its the right size. I think the one I have cost $45 or so - its probably more $ now. And in addition to all of that, there's a $40 cartage fee required for the show. So lets' add that all up, shall we? 

Entry fee: $25
Framing: $250
Box: $45
Shipping: $100 (estimated guess)
Cartage: $40
-----------------------
Total: $460 (or so)

Lets' just say $450 to make it easier. That's not cheap, is it?
And if you enter more than one show a year, with different pieces of art, that can really add up fast.



On a whim, and at the 11th hour of the entry deadline day, I decided to enter my Berry Tart piece in the CA State Fair this year. I have no expectations whatsoever of getting in, since this is a state-wide show, with so many different kinds of art being entered, but I decided to go for it.



Notice the Sale/Price Value I put on the art: $2,000.
This piece is already framed, since I had it in the UArt show last year. The entry fee for the State Fair is only $20. And if it gets in, I can just hand deliver it because I live right here, a few miles away. So that will cost me way less than the CPSA show.

Also, I'm thinking 'gallery', someday, maybe. You have to consider the gallery fees (usually 50%), so a $2,000 piece will automatically only net $1,000. Subtract the framing, and that leaves $750. Not bad, but not $2,000. So even though $2,000 might seem high, it really isn't.

Ideally, we'd all win the big $$ awards in these shows, and that would offset the costs of entering!! Last year I did win a nice little sum in the UArt show with my Molasses Cookie drawing, and that definitely paid for the costs associated with entering. But you can't count on winning. You have to just enter, and hope for the best.




Its serious business being a fine artist and going this route. Its easy to get discouraged if you don't get accepted, let alone win anything. But I'm giving it a bit of a go, and we'll see what happens!




Tuesday, May 05, 2015

New website

F I N A L L Y.
The new paulapertile.com is live!




It needs 'more' (mostly, art samples), and a couple of fiddly tweaks, but over all I'm pretty happy with it. I used the godaddy website builder, mostly because I have my domain name registered there already, and also had a credit. So it made sense. I wanted something simple, and I like the scroll-down design rather than fancier bells and whistles. I went with the business site option, which lets you have a lot of pages. They have several templates you can choose from, and I chose the "Freelance Portfolio" one - and then completely changed it (of course). Its all 'drag-and-drop' and really easy to use. They give you a lot of options for little design-y things (I got so excited over the 'make rounded corners' thingy!), most of which I didn't even use. So I would recommend this. (*godaddy is not paying me to say any of this, by the way)

Besides the business option, they have a simple and inexpensive 5 page option, and also upgrades for SEO optimizing, as well as a store-builder. It can add up, but they have sales often so I plan to wait for one of those before I sign up for anything else.

There are so many options for website building software these days. Squarespace, Weebly, Wix, come to mind. They're all beautiful and modern and fancy and hip. I kind of like the idea of not being so trendy though, and sticking with something a little more classic. It fits my style. 



Another really good thing with this is that its mobile-friendly! (All those other options I listed are too, I'm sure.) I looked at my old site on my phone and it was microscopic. The godaddy website builder lets you preview how your site will look on a desktop and a phone as you go along, so you know exactly what you're doing. On a phone, it arranges all the images in a single file 'up and down' scrolling thing, which are sometimes a little out of sync with how they're arranged on the page, but its still 100% better than what I had before, so I'm fine with it.




Full disclosure: there are a couple of things I'm not 100% thrilled with, and wish I could change.

1) You're allowed 2 drop-down pages for each main page. Which is great. But. Normally, if you hover over a page title that has drop-down choices, you just pick one of those and go to that page. With this design, the main title page is also 'clickable', and is still a stand alone page by itself. So you need to have stuff on there as well as the drop down pages, which feels a little redundant, and I'm not sure how to get around that. (Like, if you hover over "Children's Books", "Color" and "Black & White" pages come up as the drop down options. I think most people would just click on one of those, and not the actual main page - does that make sense?).

2) Another thing is, the way I designed my pages, every element - image, or type - is independent, and can be dragged around to go anywhere on the page. Which I love! But, when I decide to update the site with new work, which will go on the top of the page, I'll have to rearrange the whole rest of the page downward, one piece at a time, rather than selecting the whole lot and dragging it as one thing. Pretty sure anyway. There might be some way to do it easier that I haven't figured out yet, so don't quote me on this.

Still, I'm super happy to have this done, and it will be fun to update things and fiddle around with it as I go. I know several people who are re-doing their websites right now. It must be "website re-design season"! Its soooooooooooooooooooo much easier now than it used to be - remember using (or trying to use) Dreamweaver or . . . what was the other one? Go Live, that was it. Blimey! I never did figure those out.

Please let me know if you find any links that don't work, or if anything feels clunky or 'off' or weird.
Happy Website Building!

Monday, April 27, 2015

CPSA 23rd International + other stuff


I'm happy. Just found out my "Fried Egg on Sourdough Toast" drawing has been accepted into the Colored Pencil Society of America's 23rd International Exhibition! Here's a list of everyone who got in. I am in some esteemed company, for sure.

I also just signed up (like, minutes ago) for some new website builder thingy, so my old sad site will be down for a while until I get this one up and running. Wish me luck. I actually don't have all the art I want to use ready to go - I thought that signing up would just let me sit here until I was ready, but nooooo, (has to do with switching hosting plans and technical stuff). So I have my week cut out for me. Thankfully my email will still work though, so that's good. Also, the thing I signed up for has the new 'mobile - friendly' stuff included, so I should be all set. It will be nice to be a little more up to date with things!

Oh, and I guess I have to go get this piece framed now! Details, details . . .

Thursday, April 16, 2015

Sphinx Moth

Sphinx Moth
colored pencils on paper
© Paula Pertile

Wow,  this was really different subject matter for me! I was inspired to do this illustration by an amazing creature who's been visiting my jasmine plant by the front porch for several evenings. At first I thought it was some kind of hummingbird. It looks like one. It hovers like one. But . . . something was wrong, and I couldn't put my finger on it. So I googled. And sure enough, there is an actual "Hummingbird Moth"! But mine is actually the very similar "Sphinx Moth".

Both moths come from those awful, scary, creepy but also cool, green horned caterpillars. If you've ever grown tomatoes, you've probably seen them. One variety is in fact a tomato worm, and the other is a tobacco worm. Again, very similar, but with some fiddly differences.

For a moth, this is HUGE. I mean, if I thought it was a hummingbird, you can imagine. I've never seen one before, so I'm not sure why it showed up here all of a sudden. Of course I took science in school, and learned all about caterpillars, and cocoons, and butterflies and all that - but something about this one, and the transformation from that particularly frightening horned worm into such a spectacular flying thing has given me a newfound respect and feel of awe and wonder about Nature, and all the wonderfully amazing things that go on out there in the yard when we're not looking. I will be looking at it all with a slightly different eye now, I think.

I did this with 99.9% Prismacolors and one black Polychromo (mostly because I was running low on Black Prismacolors), on the new Strathmore colored pencil paper. I really like this new paper a lot to draw on. The texture is nice and even, and it has a crisp feel to it. Its better than regular bristol, where the texture (depending on what brand and grade you get) can sometimes be uneven. The only slightly negative thing about it is how thin it is. This wasn't a problem for me with this piece, but I also didn't do any heavy burnishing, or use solvents, or any other 'special effects'. I don't normally do any of that anyway (except for a little burnishing here and there), so I don't anticipate this ever being an issue for me.

But when I stood the piece up periodically to step back and have a look (just propped up against a lamp or something), the paper really sagged. Usually, a piece of bristol, or Stonehenge or anything else will be able to stand up straight. So, this is pretty wimpy. Again, it doesn't bother me, but I'm just sharing, in case anyone is curious. This paper is relatively inexpensive, so that may be why.
I bought mine here at Dick Blick. No one else seems to carry it yet, for some reason.



So that's about it for me, here, for now. I think the snow has finally melted just about everywhere, and everyone is having Spring now, finally. We here in drought-stricken California are already worrying about crispy lawns and thirsty trees and critters. I find myself thinking about all the birdies and crawling things, wondering how they get along when no one is watering as much. The snails all come out and frolic when I do turn on the hose or lawn sprinklers, and the birds are happy too. (Geez, I've turned a new weird corner if I'm worried about worms and bugs and stuff!) Like homeless kitties aren't enough.

To think I've probably unknowingly crushed some of these in the past makes me sad. Be careful where you step out there! 

Sunday, April 12, 2015

Sir Archibald Catley and Reginald Sweet


Two new Upstairs Tabbies this week! 
Sir Archibald Catley, and Reginald Sweet.




Sir Archibald Catley

"Archie" is the younger brother of Sir Cedric Catley, Earl of Mewton. He loves cricket, but mostly because of the sweaters. He has one for every day of the week. He also loves butterflies, and anchovy pudding.






Reginald Sweet

"Reg" is the brother of Lady Clara Catley (the former Miss Clara Sweet and wife of Sir Cedric Catley). He served in The Great War, and came home with a nasty scar for a souvenir. He did some paw-to-paw combat with a Russian Blue, which resulted in a bad scratch that never healed quite right. He's a little self conscious about it, and doesn't like to sit for pictures. He's not all seriousness though - he enjoys a lively game of cards with his mates, and loves to chase grouse and peafowl on the grounds of his sister's estate, where he lives.



I'm also playing with some new shapes for the Downstairs Tabbies, which, when I get the kinks worked out, I'll do for the Upstairs bunch too. I think some little cards would be fun with this round format, and some other things. 



I'm having a lot of fun creating these characters, and learning their stories. I'm also having fun doing the colored pencil + photoshop colored pencil brush technique (I do the first part of the drawing with colored pencils, then scan, and finish it up with photoshop, darkening or doing whatever was too hard or labor intensive to do with the actual pencils). I like that it this let's me keep the 'hand drawn' look and feel, but with a little help where needed.

I'll be doing the Catley children next I think. :~)

Saturday, March 28, 2015

Fried egg on sourdough toast




I used all Prismacolor colored pencils for this, on Fabriano Artistico paper. Its 11" x 17".

This was a fun one! When the idea came to me, I googled 'fried egg' images to make sure no one else had done a piece like this. Lots of fried egg drawings, but nothing even close to this set up, so I figured I was good to go. 

Most images were of an egg on a regular shaped piece of toast, like from a normal loaf. But I liked the idea of doing some really crusty sourdough, so went shopping and found the perfect loaf of French Sourdough. I fried a couple of eggs in butter so they'd have a bit of brown around the edges, and toasted up a couple of thick slices of the bread. One of the egg yolks broke in the pan, so there was only one 'good one' left. I plopped it on a piece of toast and dashed it to the studio to take some pics. I held my breath a bit on the 'section view' one, because once I cut that piece in half I had only a few seconds to shoot a pic before it all ran down all over the place. (I actually took the egg off the bread first, cut the bread in half, nicely, then put the egg back on top and cut it, so I didn't have a complete sloppy mess.) 

You will probably be shocked to learn that I took a grand total of I think 6 pictures all together, and 3 of them were good enough to work from. I know some people take lots and lots of pictures, but I get impatient and just want to start working, so as soon as I have something that's good enough, I'm done. In my defense I will say that I'm not trying to do any fancy lighting or anything particularly sophisticated with these food pieces, so I can usually get adequate photos pretty easily.

Of course I had a whole dozen eggs in the frig, and was prepared to have to start over and fry up more  in case something went wrong. But I got lucky. The practical side of me also likes that this made a really nice lunch, and that I have eggs and sourdough for the week! 

Thursday, March 19, 2015

Everything's a work in progress


That sounded kind of deep. I guess it is true though, that everything in life is a work in progress, most of the time. Things are always changing and being created anew. That's an especially appropriate thought right now, as Spring officially starts tomorrow. We've unofficially been having it here for weeks now though, with the jasmine in bloom, as well as roses, azaleas, and some other green things. The cats are out sunning themselves all day long in the balmy weather, and I'm even sleeping with the window open. 

And I've been sketching a lot. New things for new projects. Lots of children's book art, mostly, but also some kitties, and some new food. 




I also have the Spring Cleaning bug. Do you get that too? Not just my house, but life "stuff" in general. This is a great article about the recent end of the Uranus Square Pluto astrological thing that's been going on for the past 3 years. Lots of challenges and change in many people's lives thanks to this rare planetary alignment, and now, thankfully, its coming to an end. The shorthand version is kind of a "this doesn't work for me anymore" feeling, with the urge to make difficult changes, and grow. Even if you're not 'into' astrology, I'm sure you can relate to that feeling. We all go through it, and I've been feeling it a lot lately. 




So there's a lot of new work starting to 'bud', if you will, on my drawing table. Some still feels like its in 'winter mode', gathering itself up under the surface, ready to poke up and see the light. Other things are already sprouting. 





I also rearranged my studio a little bit, and it has a better 'feng shui' thing going on I think. All I really did was shift my drawing table 90 degrees, but it really changed the energy in the room, and I love it. (I know I'm sounding very 'woo woo' today, but hey, whatever works, right?)





So here's to Spring! And Spring cleaning, and new growth of all kinds!





Friday, March 06, 2015

Upstairs Tabbies


Please allow me to present Sir Cedric Catley, the Earl of Mewton and his lovely wife, Lady Clara Catley.


Sir Cedric is married to the former Miss Clara Sweet, a licorice fortune heiress. He married her for her money, after his family found themselves in reduced circumstances, thanks to his father investing in a rather unsound financial scheme involving pigeons. He is quite the bug enthusiast, and has an impressive collection. He can often be found in his "bug room", pinning specimens while listening to Chopin and sipping chicken broth tea.



Lady Clara is married to Sir Cedric Catley, the Earl of Mewton. She is the heiress to a great licorice fortune, and he married her for her money. Her parents disapproved, so of course that made her keen on the idea, and also, she wanted to be a "Lady". She enjoys giving lavish dinners, and is especially fond of showing off her Cook's skills with stuffed fowl dishes. Her husband's bug collection is a source of embarrassment, but she allows it because he doesn't interfere with her catnip parties.

*****

These two are the first in the Upstairs Tabbies series. I had fun with her hat! There will be children next, I think, and an odd relative or two. 

I'm sad that Downton Abbey is over until next January. And that will be the last season, I've heard. What will we do? There will be some serious withdrawal going on. Although I also heard that Julian Fellowes is planning a new series - The Gilded Age - about Victorians, so maybe we'll have another good period drama to dig into when DA is over. Let's hope!


Thursday, February 26, 2015

Peppercorn Jack Cheese


I'm in a real 'bread and cheese' mood lately. To draw, and to eat. Not sure why, but I'm enjoying doing both.
I just broke off a bit of this wedge and had it with some kalamata olive ciabatta bread for an afternoon snack. So good! My fridge has a handful of other little wedges of interesting cheeses that I hope to manage to get drawn before they get eaten. We'll see.

This was done with all Prismacolor colored pencils on 8" x 10" (20.32 x 25.4 cm) Strathmore bristol.

I actually used a "Bronze" colored pencil on this. I don't know if I've ever used it before! Somewhere along the way I decided the Gold, Silver and Bronze colored pencils were for amateurs. REAL colored pencil artists make their own gold, silver or bronze colors from other color combinations. Which is true, actually.

But this bronze is a really good color, and not even metallic looking. It gave the cheese just a little yellow/gold oomph it needed.


(these are not my images - they're pulled off the web - no © infringement intended)




A good example of what I'm talking about with the metallic colors is my 3 Musketeers Mini drawing. Its Silver, right? But of course I never touched the actual "Silver" pencil. I used a lot of greys, and blues and reds to pick up the reflections in the wrapper.



Same thing here with the Twix Mini. Its all yellows and goldy-browns and whatever else was needed to render the shiny gold foil - without using the "Gold" pencil ever.



Part of the fun of doing shiny things is analyzing what the colors actually are made of (at least I think so). Well, that's true for things that aren't shiny as well. But shiny stuff is a little harder maybe.

This Witor's Noir chocolate was shiny, but a little less so than the Twix, and with a lot of brown. Again, no "Gold", but a lot of other colors.




Well, you get the idea. Its like in illustration class when they told you to never use the "Flesh" color paint! And remember the 'flesh' colored crayon? 

Wow, I really wandered off the mark here. I just wanted to share my cheese drawing. 
I will clean up the background, and put prints in the shop. I think a little grouping of bread and cheese prints would look nice on a kitchen wall. Hmmm, I'll have to work on that . . .


Sunday, February 22, 2015

Soft Preztel Roll

Soft Pretzel Roll  8" x 10"  colored pencils on Strathmore bristol

Not a lot of art to talk about this week. I was drawn (pun intended) to this soft pretzel roll in the store for some reason. I like the pattern of the 'cuts' on top, and the rich color of the crust. I'd never eaten one of these before, or even seen them I don't think. Its nice and bready and pretzely, and I liked it.

There's something so comforting about nice bread, especially at this time of year. Although here in California we're having Spring already, with sun and lawns being mowed and yard chores in full swing. Everywhere else people are snowed in, its crazy.

One other thing I'll mention with this piece is that I've gone back to Strathmore bristol, just because I have a lot of it, in pads, laying around. One day I thought "why did I stop using this?" and so did a piece on it and was happy with the result. I don't know. Somewhere along the line, when I decided to get 'serious' about my colored pencil work, I started exploring other papers, thinking the key to doing a good piece lay in the paper choice. I'm glad I discovered Stonehenge and Fabriano Artistico, and will still use them when there's something particular I want to do that requires one of their special characteristics. But for now, I'm perfectly happy with this Strathmore bristol - 300 Series.

I put prints of this in the shop, in different sizes.

I'm also working on more cat drawings. { meow }

Saturday, February 14, 2015

Lemewl Cox Cat, by John Singleton Catley

This was a little experiment with first an idea, then the technique. I wanted to do some Colonial cat portraits, based on actual paintings done back in the day. I did some research, and settled on a painting of Lemuel Cox by John Singleton Copley to be my inspiration.

"Lemewl Cox Cat" 

At first I was going to be more 'illustrative', then I ended up pretty much copying the painting, substituting a cat for Lemuel Cox, and making adjustments to the coat (neck, mostly) to fit the cat proportions. 


I started out with Prismacolors on Strathmore Bristol. 


I developed the drawing, and went darker and darker with background.


I just kept going, with different colors + black, then came in with Black and Caput Mortuum Polychromos. Finally, I scanned it and had a go at it with my digital colored pencil brush and Photoshop, just to get the whole thing dark enough. I also did the whiskers digitally (much easier than doing them 'by hand' with colored pencils!)




Not sure what's going to be next!